Schubert’s works for mixed vocal ensemble and fortepiano remain virtually unknown. Our season opener highlights these overlooked gems, culminating in Mirjams Siegesgesang (Miriam's Song of Victory), a cantata composed in 1828. The work recounts the Israelites’ miraculous escape through the parting of the Red Seas. Its celebratory character stands in contrast to the more introspective tone of Schubert’s late compositions, offering a striking example of his engagement with historical models such as G. F. Handel.

Program

Franz Schubert
An die Sonne | To the Sun, D. 439
Ständchen (“Zögernd leise”) | Serenade (“Hesitantly softly”), D. 921
Allegro moderato for piano four hands, D. 968
Psalm 23, D. 706
Gondelfahrer | The Gondolier, D. 809
Marsch for piano four hands, D. 733/2
Gebet | Prayer, D. 815
Mirjams Siegesgesang | Miriam’s Song of Victory, D. 942

Performers

Elizabeth Tait and Andréa Walker, soprano
Grace Kiver and Michael Skarke, alto
Micah Perry and Aaron Cates, tenor
Peter Schoellkopff and David Grogan, bass

Bryan Anderson, fortepiano

Mario Aschauer, artistic director