ABOUT
The German chorale concerto emerged around 1600 as a response to the new Italian concertato style, uniting Lutheran hymnody with modern sonority and spatial writing. In works by Michael Praetorius, Heinrich Schütz, and their contemporaries, familiar chorale melodies are expanded through dialogue between voices and instruments, often conceived for multiple choirs and resonant church acoustics. Cornetti and trombones reinforce and color the vocal lines, blurring the boundary between congregational song and ceremonial music. In keeping with the original function of this repertoire, the audience will be invited to join in singing several of the traditional chorales, reconnecting performance and communal devotion.
One uninterrupted hour of music in a beautiful historic space, followed by a complimentary reception with the artists. You’ll be warmly welcomed. No prior knowledge of the music is necessary.
General admission seating · Accessible entrance on Francis Street · Street parking available
General admission: $40
Students: $20
Read our Ticket Policies for more information.
Performers
Andrea Zomorodian and Maren Hvrinak soprano
Doug Dodson and Michael Skarke alto
Micah Perry and Michaël Hudetz tenor
Peter Schoellkopff and Jason Rober bass
Katharina Haun and Roman Golovanov cornetto
Henry van Engen and BJ Hernandez sackbut
Sydney zumMallen violone
Daniel Swenberg theorbo
Brad Bennight organ and harpsichord
Mario Aschauer artistic director